Investigations of a Dog

More filler this week as I’m too busy to write anything intellectual. As it’s Remembrance Sunday, here’s a selection of WW1 pictures from my random ebay acquisitions. Click the thumbnails to see full size versions at Flickr. First of all I bought another photo of the frisky horse that I posted here. Not much need for an epic Errol Morris style investigation as I think it’s pretty obvious what order they go in.

Before:

After:

London Division horse show, Overath, Germany, 1919. Even during the war divisions and corps often held horse shows to encourage the men to look after their horses as well as possible. This was important because infantry and artillery depended very heavily on draught horses throughout the war. This one’s really worth viewing at full size as there’s so much detail.

This looks like two women in the uniform of the Scottish Horse. It apparently wasn’t unusual for women to dress up in men’s uniforms to have their photos taken.

A mounted artillery driver, photographed in Edinburgh. Photos like this cause lots of confusion because people get the idea that their ancestors were in the cavalry and then go off looking in the wrong places and asking the wrong questions.

Girls on ponies watching a Royal Artillery column. Not strictly WW1 as it looks like it was taken in the 1920s or 1930s. The Royal Field Artillery wasn’t fully mechanized until 1939. This photo captures the period when horses were making the transition from useful work in the army and economy to a hobby seen as mostly for girls.

I’ve just started to appreciate another advantage of taking digital photos of documents in the National Archives (a.k.a. PRO): comparing original signatures. That’s not exactly a revolutionary discovery, but I actually used it this week and it was quite exciting. I’ve mentioned John Gower before in posts about my work on saddlers. I had two collections of facts which I thought probably refer to the same person, but I hadn’t conclusively proved it.

The archives of the London Saddler’s Company show that a John Gower was a freeman of the company, and was admitted to the livery in 1640. The will of John Gower, citizen and saddler of London, was written on 18 October 1644 and proved by the Prerogative Court of Canterbury on 9 May 1645. This will mentions that John’s wife was called Jane, and that they lived in the parish of Saint Katherine Creechurch. Jane Gower went on to sell saddles to the New Model Army in 1645.

Financial records of the Essex county committee and the committee of the Eastern Association at Cambridge show that they bought lots of saddles from a John Gower. He is sometimes described as Captain Gower, and in at least one case money was received on his behalf by his ensign. It’s quite likely that this is the same Gower who commanded a company in the Earl of Manchester’s foot regiment.

On the balance of probabilities and assumed that these records all related to the same man but I wasn’t absolutely certain. This week I was sorting out some photos from my last research trip, including warrants issued by the Essex committee (SP 28/227). I noticed that John Gower had signed receipts on some of them. I already had photos of his original will (PROB 10/648) so it was easy to compare them.

This is a receipt for money for saddles bought by the Essex committee:

And this is part of the will:

They look pretty similar to me so now I’m fairly certain that it is the same man. The signature on the will looks very shaky, presumably because he was terminally ill when he wrote it.

As well as the practical benefits of record linkage, this is also a way of connecting with the reality of the past. If the same signature appears on two different documents belonging to different organisations and created at different times, the most parsimonious explanation is that John Gower was a real person who signed the documents in the course of his life. His home must have been destroyed in the great fire, if not before or after, and as far as I know none of the saddles that he made survives today. Saddlers Hall was destroyed by fire on more than one occasion, and nearly all of the company’s 17th century plate was sold or lost. These signatures are probably the only remaining physical traces of John Gower.

Back in July I posted about a Python script I was working on to help with organizing photos of archival documents. I didn’t think it would all that interesting to many other people, but a comment from Chris Williams made me realize that there’s potentially quite a lot of demand for something like this. Digital photography in archives doesn’t seem to be much of a sexy buzz topic among digital historians, but it’s something that lots of researchers do even if they’re not into digital history (although Melissa Terras‘s latest book seems to cover it). As far as I know there aren’t any tools specifically designed to help with organizing large numbers of document images. The python script I’m working on is just a stopgap thing which is mostly specific to what I’m doing and how I work, and is never likely to be very user friendly. Maybe what we need is a Firefox extension that plugs into Zotero, or maybe image management features in Zotero itself. Some features that might be useful:

• Browse a directory of images in Firefox (I used to use MozImage for this, as I was reminded when I found this old post)
• Mark a page image as being the first or last in a document (this is the really crucial thing, and I’m not aware of any image browsers that can currently do it)
• Create sub-directories for documents and move images into them based on first and last markers
• Create Zotero items for marked documents, maybe with some fields pre-filled in a standard form which can be applied to all documents in a directory. For example, if I’m working through box SP 24/30 from the National Archives, set Repository to “TNA” and Loc in Archive to “SP 24/30”.
• Upload images to Flickr and create sets for them, maybe based on associated Zotero items; attach Flickr links to relevant Zotero items

I’m not in a position to do this myself right now, but I need to learn how to make Firefox extensions sooner or later. Apart from image management stuff, I also need a word count extension (I usually draft most of my writing in a private wiki instead of a word processor; having Firefox count the words for me is much easier than pasting into Open Office just to see how much I’ve written). The one I used to use isn’t compatible with Firefox 3.6 and the author hasn’t updated it for a long time. Counting words can’t be that hard can it? Or maybe it is.

So, does anyone have any thoughts on image management? If you take lots of photos in the archives, how do you deal with them once you get them home? Is there any software I don’t know about which would do what I need? What features would make your life easier?

8th March is International Women’s Day, and March is National Women’s History Month in the US (it would be nice if there were more of them in a year, otherwise we have 11 men’s history months and 364 men’s days by default, but you can’t have everything, especially if you’re a woman…). The theme of this year’s Women’s History Month is Writing Women Back Into History. I’ll probably write some posts about women’s and gender history later in the month. But right now seems like a good time to announce a new website/blog:

They Really Do Exist “aims to be a directory of women who are active in traditionally male arenas”, “for all those people who are sick of hearing ‘But there ARE no women in that sector!’ when they ask why the media or other publicity downplays the role played by women in any given area”. The site was the idea of Jennie Rigg, a female political blogger who is, in her own very apt words, “FUCKING SICK” of being told that there are no female political bloggers. What I find most striking about this situation is that many male political bloggers (even liberal ones) try to delegitimize feminism by claiming that it isn’t really politics. In contrast, anti-feminist academics are more likely to delegitimize feminist history by asserting that it is political and therefore doesn’t meet their standards of (false) neutrality. This double standard gives patriarchy the best of both worlds and makes things even more difficult for feminists. Maybe part of the problem of patriarchal equilibrium is that feminists are intellectually honest and abhor hypocrisy, whereas patriarchy thrives on it. Anyway, if you know of a woman who should be included in the list, leave a comment at the submit page.

Inspired by Jennie’s example, I’ve expanded the scope of the War and Gender Zotero group to include works on any aspect of military history written by women. There are now two sub-collections in the group library: one called “About Gender” which includes any works about the intersections of gender and sexuality with war written by anyone (which is what the group was originally limited to), and one called “By Women” which includes anything relating to wars and armed forces written by women. The new collection is still in its early stages. So far it only contains works by women that were already in the group library. There are lots more items in my personal library which need to be added. I’ve almost certainly made some embarrassingly wrong assumptions about people’s gender based only on their forenames, despite being trained by the Cambridge Population Group not to do that. [ETA 13 May 2011: I stopped doing this because it was too much trouble!]

And finally, here’s a photo of a nurse and some “munitions girls” from the First World War:

This is a selection of First World War photos from my collection, mostly bought from ebay. I’ve posted some horse photos over at The horse in history and culture. The ones here have more of a gender theme. Click on the thumbnails to see bigger versions.

Four male prisoners of war, two in drag. This was taken in the theatre at Cottbus PoW camp, where my great-grandad was held from 1917 to 1918. He performed in the theatre but there’s no evidence that he dressed as a woman. One of the paradoxes of the hyper-masculine environment of the 20th century British Army was that it often forced men into stereotypically feminine roles in order to stand in for the women who were excluded.

Royal Army Medical Corps group, taken in France, 1919. It clearly shows how uniforms reinforced gender roles. The men are wearing army service dress, just like combat soldiers, although their role is to provide medical care. The women are wearing long skirts and big head-dresses. Also notice that some of the men are very short. The man on the left of the middle row, standing between the corporal and the nurse with a dog at their feet, looks shorter than some of the women. If you look very closely you can see that some of the group are holding puppies.

A man and woman called Fred and Kitty, but I don’t know their surnames. Fred is a sergeant in the Army Service Corps, and Kitty is in civilian clothes. The poses reinforce the differences in dress, suggesting male dominance and female submission.

Territorial Royal Field Artillery corporal with a small boy. Probably taken in Cardiff or Pontypridd. Like the Sergeant in the previous photo, the corporal is wearing spurs. These were standard equipment for troops classed as mounted, which included field artillery and service corps because they relied on horses for transport. I love the little boy’s pose. Although man and boy are both male, they illustrate the hierarchy of masculinity: the corporal is more of a man because of his age, independence and military service.

A group of female munitions workers. The unprecedented expansion of both the British Army and the arms industry in the First World War, along with the assumption that women couldn’t or shouldn’t fight, led to more women working in munitions factories. This temporarily gave some women increased pay and freedom, but 90 years on women as a group still earn less than men as a group. Although the uniforms make some concessions to the practicalities of working in a factory, they also signify femininity.