Horses and Gendered Language

[posted by Gavin Robinson, 9:04 am, 21 July 2008]

Back in October 2006 I posted about my speculative (and slightly mad?) project about gendered perceptions of war horses. In a follow-up post I looked at a selection of four early seventeenth-century cavalry drill books to see what they said about requirements for war horses. Only Gervase Markham explicitly stated that a war horse should be a stallion, but all four authors habitually referred to the war horse as “he”. There was a particularly intriguing passage in Robert Ward’s Animadversions of War about using cats and hedgehogs to encourage lazy horses. He specifically mentioned the horse’s testicles, which shows that he had a stallion in mind. At the time I wondred why he referred to the horse and hedgehog as male but the cat as female. Now I think I have a possible answer: it could be connected with the gender of the equivalent Latin nouns. Equus (horse) and echinus (hedgehog) are masculine but feles (cat) is feminine. That doesn’t entirely solve the problem, it just moves it further back. Now I want to know why the Romans thought horses should be masculine and cats should be feminine.

Since that first post I’ve discovered that my assumptions about non-human species not having culture or gender were wrong. Joshua Goldstein’s War and Gender has lots of examples of culturally specific learned behaviour and gendered dominance hierarchies among animals. But I think I’m onto something with looking at whether human gender ideology led to gendered roles being imposed on other species. Samantha Hurn has found evidence of gendered roles being imposed by breeders of Welsh cobs. I haven’t been able to get hold of a copy of her article yet, but it looks very relevant.

Meanwhile, I’ve been reading Shakespeare’s Henry V again as there are plenty of mentions of war horses in it. But I still can’t work out what’s going on with the Dauphin and his horse. Bestiality? Idolatry? Just the general arrogance and ridiculousness of the French?

  1. Joshua S. Goldstein, War and Gender (CUP: Cambridge, 2003).
  2. Samantha Hurn, ‘What’s Love Got to Do With It?’, Society & Animals, 16 (March 2008), pp. 23-44.
  3. Robert Ward, Anima’dversions of vvarre; (London : Printed by Iohn Dawson [, Thomas Cotes, and Richard Bishop], and are to be sold by Francis Eglesfield at the signe of the Marigold in Pauls Church-yard, 1639., 1639).

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